Kaspar Lukas
Journal
[Newspaper; 280X400mm⸻Inventing Life] A newspaper created to accompany three photographs exhibited at the University of Arts Linz. It addresses the work steps required for creating the images, focusing on selection, sequencing and reproduction. It explores the dissolution of the boundaries between representation and reality. The typography reflects the project’s theme by leaving the center of the text blocks blank. Due to the thin paper, the printed images can be viewed from both sides, which emphasizes their presence as images rather than as reality.
[Identity ⸻Michael Sirch, Chemist] In the laboratory from Michael Sirch, they work with oleochemistry and the sustainable transformation of used oils into green solutions. The idea behind the logo system is based on mixing blue and yellow — resulting in green. Together we created a website, business cards, letterheads, envelopes, and portrait photographs of Michi.
[Publication; C4⸻Bad Moon Rising, The Militarization of Space] The book brings together curated articles, space treaties, interviews, satellite imagery from the Russia–Ukraine war, and a historical photo series from the NASA archive. As these subjects are closely interconnected, the publication allows readers to move between related sections at selected points. This is enabled by a designed numbering system that creates links throughout the book.
[Poster; A0⸻Das Leben ist schön] La Vita è bella (1997) by Roberto Benigni was the starting point of this poster. In the film, Guido Orefice creates an alternative reality for a child, exposing the absurdity of racial theory. I wanted to make a poster for a child as well — for Rosa, my eleven-year-old half-sister. I gave it to her on her birthday, and she was very happy with it. Maybe she will look at it in the future and it will remind her that tolerance, imagination, and hope, help in difficult times. Typography —Climax!
[Poster; A0⸻Echo] The poster series was made in cooperation with students of the Filmakademie Wien for the experimental short film Echo. The typography design follows a grid that was developed from the sound wave of a key scene in the film. In this scene, the main character shouts the word ‹Echo› into a cave. The sound of that scream — like it spreads and then slowly fades — became the basis for the typography. From loud to quiet, or quiet to loud. [Echo]
[Poster; A0, A1⸻Presentation, Exhibition Poster, Masters]
[Info Sheet⸻Before Publishing, After Publishing] The title suggests the process of publishing: Preparation of the content, the act of publishing and the impact of it. These three steps resulted in a grid for the design that determined the typography - to express different levels of the theme. The Text is a personal summary of the course.
[Fine Art Print; 40X50cm⸻Untitled] For the constellations, photographs of technical devices, information graphics, and graphic elements were cut out from the trade journal Funk-Technik (1946–1986), sorted according to their characteristic features, and arranged. The folders served to collect the cut-outs. The results were then photographed and printed on Fine Art Phot Rag Satin.
[Fine Art Print—Mounted on Alu Dibond—Box Frame; 350X500mm]⸻Through newly arranged and photographically reproduced editorial images from Life Magazine, the series thematizes work processes such as selection, sequencing and reproduction. It reflects the dissolution of the boundaries between representation and reality. The constructive level of image creation becomes visible in the photographs. Traces such as reflections, traces of use or the materiality of the prints refer to human intervention. This makes it possible to experience the photograph as a constructed object that distances itself from reality. [Untitled I-V]
[Fine Art Print⸻Fußgänger Bronx]
[Fine Art Print—Photorag Ultrasmooth; 350X500mm⸻Konvergenz] The photo series is based on predefined rules. The aim became to create different versions of the same motif—to make the similarities and differences of a subject visible. Applied to people walking, the resulting series reveals an individual loneliness of the persons, which at the same time creates a sense of connectedness through recurring and differing characteristics. Everything is the same—even if it is different. [Konvergenz]
My work includes publications, websites, corporate identities, visual communication for exhibitions, posters, and, in my spare time, close to my heart, artistic photography. I think it's nice to see design as something that can help create meaning, happiness and contentment for yourself and others.