Lukas Hoffmann
Get And Support
[Poster; A1]⸻La Vita è bella (1997) by Roberto Benigni inspired me to create a small symbol of tolerance. The film is a tribute to the power of imagination and to humanity. The main character in the movie creates an alternative reality for a child, based on personal convictions, and reveals how absurd the idea of racial theory is. Inspired by this, a series of collages and a poster were created, also for a child, for Rosa, my 9 year-old half sister. Maybe, for a moment, it lets her feel that imagination and fiction can help in difficult times. Typography — Climax! [Das Leben ist schön]
[Newspaper; 280X400mm]⸻A newspaper created to accompany three photographs exhibited at the University of Arts Linz. It provides interested viewers with an overview of the process and the theoretical background behind them. The Newspaper addresses the work steps required for creating the images, focusing on selection, sequencing and reproduction. The typography reflects the project’s theme by leaving the center of the text blocks blank. Due to the thin paper, the printed images can be viewed from both sides, offering a shift in the perception of the photographs. [Inventing Life]
[Poster; A1, A2]⸻Presentation, Exhibition Poster, Masters
[Poster; A0]⸻The poster series was made in cooperation with students of the Filmakademie Wien for the experimental short film Echo. The typography design follows a grid that was developed from the sound wave of a key scene in the film. In this scene, the main character shouts the word ‹Echo› into a cave. The sound of that scream — like it spreads and then slowly fades — became the basis for the typography. From loud to quiet, or quiet to loud. [Echo]
[Chromogene Abzüge—Lambda Prints—Mounted on Alu Dibond; 300X450mm]⸻The photoseries deals with the topic of change and uses ruins as a metaphor. In the series of pictures, the ruins are understood as traces of earlier orders and are intended to remind us of outdated ways of life. Every development is shaped by earlier circumstances — something that on the one hand remains present, but on the other has outgrown its original context and thus become obsolete. A ruin. The series is accompanied with excerpts from „Die Aufzeichnungen des Malte Laurids Brigge“. Various passages from the book were curated and typographically designed to present Rainer Maria Rilke’s interpretation of a process of transformation. Reproduction Photos: Martin Bilinovac
[Zurück nach Hause denken I - IV]
[Fine Art Print—Photorag Ultrasmooth; 350X500mm]⸻The photo series is based on predefined rules. The aim was to use uniform parameters to create different versions of the same motif—to make the similarities and differences of a subject visible. Applied to people walking, the resulting series reveals an individual loneliness of the persons, which at the same time creates a sense of connectedness through recurring and differing characteristics. Everything is the same—even if it is different. [Konvergenz]
[Fine Art Print—Mounted on Alu Dibond—Box Frame; 350X500mm]⸻Through newly arranged and photographically reproduced editorial images from Life Magazine, the series thematizes work processes such as selection, sequencing and reproduction. It reflects the dissolution of the boundaries between representation and reality. The constructive level of image creation becomes visible in the photographs. Traces such as reflections, traces of use or the materiality of the prints refer to human intervention. This makes it possible to experience the photograph as a constructed object that distances itself from reality. [Untitled I-V]
Lukas Hoffmann recently finished his Master’s in Visual Communication at the University of Art and Design Linz. Focused on typography, photography, and content-driven design. Works include books, posters, corporate identities, websites, photography concepts, and portraits. For commissions or collaborations, feel free to get in touch.